Acknowledgements and Sources
Kate Lukasik
Acknowledgements and Sources
-
Introductory Notes
-
Museum Directions
-
What is the Smithsonian?
-
How the Smithsonian Is Funded
-
Why Funding Is Contentious
-
Government Influence and Censorship
-
How Exhibits Are Created
-
Existing D.C. Climate
-
-
Refugees Crossing the Border Wall into South Texas
-
Presente! A Latino History of the United States: Molina Family Latino Gallery “Fear and Prejudice”
-
The Lash
-
Florida Labor Convict
-
Emmett Till’s Casket
-
The Paradox of Liberty
-
Thriving in Diversity: Latinas and Latinos with Disabilities Video
-
Greensboro Lunch Counter Stools
-
Statue of Liberty Reimagined
-
Benjamin Franklin Exhibit
-
Bar and Door for Prison Cell no.3 from Camp A at Angola Prison
-
Trans Forming Liberty
-
Aspects & Assumptions of Whiteness & White Culture in the United States
-
Memorial To A Marriage
-
The Shape of Power: Stories of Race and American Sculpture
-
The Scourged Back
“Unseen DC:” The Contested Archive Addressing Censorship, Culture, and the Future of the Smithsonian
Acknowledgements and Sources
-
Introductory Notes
-
Museum Directions
-
What is the Smithsonian?
-
How the Smithsonian Is Funded
-
Why Funding Is Contentious
-
Government Influence and Censorship
-
How Exhibits Are Created
-
Existing D.C. Climate
-
-
Refugees Crossing the Border Wall into South Texas
-
Presente! A Latino History of the United States: Molina Family Latino Gallery “Fear and Prejudice”
-
The Lash
-
Florida Labor Convict
-
Emmett Till’s Casket
-
The Paradox of Liberty
-
Thriving in Diversity: Latinas and Latinos with Disabilities Video
-
Greensboro Lunch Counter Stools
-
Statue of Liberty Reimagined
-
Benjamin Franklin Exhibit
-
Bar and Door for Prison Cell no.3 from Camp A at Angola Prison
-
Trans Forming Liberty
-
Aspects & Assumptions of Whiteness & White Culture in the United States
-
Memorial To A Marriage
-
The Shape of Power: Stories of Race and American Sculpture
-
The Scourged Back