Bar and Door for Prison Cell no.3 from Camp A at Angola Prison
Betsy Figueroa
Bar and Door for Prison Cell no.3 from Camp A at Angola Prison
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Introductory Notes
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What is the Smithsonian?
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How the Smithsonian Is Funded
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Why Funding Is Contentious
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Government Influence and Censorship
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How Exhibits Are Created
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Existing D.C. Climate
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Museum Directions
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Sources
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Refugees Crossing the Border Wall into South Texas
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Presente! A Latino History of the United States: Molina Family Latino Gallery “Fear and Prejudice”
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The Lash
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Florida Labor Convict
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Emmett Till’s Casket
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The Paradox of Liberty
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Thriving in Diversity: Latinas and Latinos with Disabilities Video
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Greensboro Lunch Counter Stools
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Statue of Liberty Reimagined
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Benjamin Franklin Exhibit
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Trans Forming Liberty
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Aspects & Assumptions of Whiteness & White Culture in the United States
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Memorial To A Marriage
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The Shape of Power: Stories of Race and American Sculpture
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The Scourged Back
“Unseen DC:” The Contested Archive Addressing Censorship, Culture, and the Future of the Smithsonian
Bar and Door for Prison Cell no.3 from Camp A at Angola Prison
-
Introductory Notes
-
What is the Smithsonian?
-
How the Smithsonian Is Funded
-
Why Funding Is Contentious
-
Government Influence and Censorship
-
How Exhibits Are Created
-
Existing D.C. Climate
-
Museum Directions
-
Sources
-
Refugees Crossing the Border Wall into South Texas
-
Presente! A Latino History of the United States: Molina Family Latino Gallery “Fear and Prejudice”
-
The Lash
-
Florida Labor Convict
-
Emmett Till’s Casket
-
The Paradox of Liberty
-
Thriving in Diversity: Latinas and Latinos with Disabilities Video
-
Greensboro Lunch Counter Stools
-
Statue of Liberty Reimagined
-
Benjamin Franklin Exhibit
-
-
Trans Forming Liberty
-
Aspects & Assumptions of Whiteness & White Culture in the United States
-
Memorial To A Marriage
-
The Shape of Power: Stories of Race and American Sculpture
-
The Scourged Back